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redlipstickresurrected:

Diane Hoeptner (American, b. OH, USA) - Tentative, Paintings: Oil on Panel, Private Collection

(via matteo-pessina)

Asker neveseos Asks:

I know this image is just an artistic rendering, but was Chicxulub even close to being that big?

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abodylongseriesofsentences abodylongseriesofsentences Said:

sew-birb:

bunjywunjy:

bunjywunjy:

YES, ABSOLUTELY. if anything, that paleoart UNDERSTATES it!

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the Chicxulub Impactor was about six miles wide, meaning that when its bottom edge slammed into the atlantic ocean at roughly 20 km/s, its top edge was still in the upper atmosphere.

(infographic cadged from Kurzgesagt)

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SAFAFDG

Here’s an excerpt from Peter Brannon’s book The Ends of the World:

“These numbers are precise without usefully conveying the scale of the calamity. What they mean is that a rock larger than Mount Everest hit planet Earth traveling twenty times faster than a bullet. This is so fast that it would have traversed the distance from the cruising altitude of a 747 to the ground in 0.3 seconds. The asteroid itself was so large that, even at the moment of impact, the top of it might have still towered more than a mile above the cruising altitude of a 747. In its nearly instantaneous descent, it compressed the air below it so violently that it briefly became several times hotter than the surface of the sun.


“The pressure of the atmosphere in front of the asteroid started excavating the crater before it even got there,” Rebolledo said. “Then when the meteorite touched ground zero, it was totally intact. It was so massive that the atmosphere didn’t even make a scratch on it.”


Unlike the typical Hollywood CGI depictions of asteroid impacts, where an extraterrestrial charcoal briquette gently smolders across the sky, in the Yucatan it would have been a pleasant day one second and the world was already over by the next. As the asteroid collided with the earth, in the sky above it where there should have been air, the rock had punched a hole of outer space vacuum in the atmosphere. As the heavens rushed in to close this hole, enormous volumes of earth were expelled into orbit and beyond — all within a second or two of impact.


“So there’s probably little bits of dinosaur bone up on the moon,” I asked.


“Yeah, probably.”

polkadotmotmot:

Neil G. Welliver - Skeletons Party, ca. 1950s

(via matteo-pessina)

the-book-reaper:

daughter-of-sapph0:

gotterhag:

transmascmoss:

the-anti-virgil:

ramnamsatyahai-deactivated20210:

She is soggy

Oh shes so good at that

Riveting performance

the little jog in place to get hyped up before drinking! perfection!

absolutely LOVE that meow

(via themarshalstale)

wanderingthunderstorm:

jaubaius:

A date on the rooftop

[Image description: several photos of two black cats on a ridged tin roof. The cats change position in each photo: stretched out along the vertices; flipped sideways to sun the tum; stretching across to touch toe beans; one melted across two ridges to lay its head on the other’s side, nose tipped toward the sun; and face buried in the other’s side. The cats fit into the peaks and valleys of the roof ridges like liquid, further lending to the charm of the photos. /end ID]

(via annevbonny)

urgetocreate:

Timothy Barr, Heirloom, 2010, Oil on panel

(via sea-changed)

primelinchen:

spinettas:

spinettas:

no more internet. no more blogspot . only bog spot

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THIS is the spot

[ID: a bog. /End ID]

(via swallowtailed)

urgetocreate:

Charlie Meckel, The Light Pours Through, Oil on linen

(via ringingglass)

huariqueje:

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Drunk in Love  -  Anthony Goicolea , 2019.

American, b. 1971  - 

Acrylic and oil on double-sided frosted mylar film mounted board, 40 x 30 in.

(via chainofclovers)

asylum-art:

Layer Upon Layer: Eva Jospin Sculpts Cardboard Into Dense, Mysterious Forests

Sculptor Eva Jospin constantly reinvents the idea of what a forest is over and over again. She cuts, layers, arranges, glues and builds cardboard into different interpretations of The Woods. Her pieces range from smaller 2D pictures compiled from dense sticks, branches and flaky bits of wood, to life size 3D installations that you are invited into, and can move around within. For Jospin, cardboard is just the medium for a larger message; these trees express many things:

(via c3rvida3)

billypotts:

stories about time travel are about two things. number one is inevitable tragedy. number two is seeing that inevitable tragedy and saying oh god I will make this right please even if I can’t fix it I will try to make this right. also I lied they’re about three things and third is obviously love

(via swallowtailed)